Losing & Learning—poker and writing

You are going to lose.

At some point, you are going down the tubes, over the edge, off the rails. You may have something to do with the inexorable demolition of your temporary hopes and dreams, or a house may fall on you from out of the sky, while you are in mid-sentence about to say the most profound thing anyone has ever heard. Or not. You may be doing nothing more than mowing the lawn and wondering why it has gotten so dark so suddenly.

What prepared me? Nothing. I led a life of easy glory. Success came without consequence, well other than the third grade geography teacher who told me that my coloring was atrocious, or awful, and I wondered how the other kids filled in the map without the striations of crayons. So what, I won the class spelling bee. I sang in the chorus and joined the math club. Years passed, achievements accumulated.

I sat in my car after the first night I played in our local poker game in Pittsburgh. My heart pounded wildly in my chest, and my hands shook too much to take the wheel. I had lost sixty dollars, which was, at the time, the most I had ever lost at cards. I had played in a casual game in graduate school, and rarely lost, and when I did, it was the cost of a couple of cups of coffee at the local diner. And my winnings were rarely more than a few plates of hotcakes. Sixty dollars hurt. When I returned the next week—it was an amiable bunch of guys, and I sought their company as much as the play of the game—I played to watch and learn. I did.

Over time, I earned back my initial loss, and rarely lost in that group of players. When I sat down to play, I sat down with a plan, and with the hard-honed anger that allowed me to focus on the task. One player’s wife remarked that I had more testosterone than anyone else at the table. It was a back-handed compliment. She was—still is—a feminist, and masculinity, even back in the nineties, was out of favor, especially among academics.  Which we were. The game was made up of Ph.D. candidates and recently minted Doctors, along with a few locals (a movie reviewer for a local paper, a former Priest turned pharmacist, a former UPS worker, a purveyor of goods imported from South America and Southeast Asia). We played the gamut of Friday night neighborhood poker games—all sorts of strange and changing wildcards. Maybe that was why I lost the first time I played. Probably not. Later, when Texas Hold ‘Em became de rigueur, the table talk abated. Most games are quieter now. I miss the conversation—it took the edge of the testosterone. But I never forgot that first night.

We don’t learn from losses unless they hurt. A short sharp shock teaches better than a slow accumulation of pain.  Maria Konnikova includes an early chapter on loss in her book about poker, The Biggest Bluff.  She writes, “After all, losing is what brought me to the table in the first place. It makes sense that learning to lose in a game, to lose constructively and productively, would help me lose at life. Lose and come back. Lose and not see it as a personal failure… When it comes to learning, triumph is the real foe. It’s disaster that’s your teacher. It’s disaster that brings objectivity. It’s disaster that’s the antidote to that greatest of delusions: overconfidence.”

Later in the book, when she begins to recount the disaster that ended one particular tournament to her mentor, Eric Seidel, he tells her, “Stop… Look, every player is going to want to tell you about the time their aces got cracked. Don’t be that player. Bad beats are a really bad mental habit. You don’t want to ever dwell on them.” This may seem contradictory. Learn that losing is part of the game, but don’t talk about them. As long as you made good decisions, the outcome does not matter. Win or lose.

But, you say, don’t we play for an outcome? No. We play because we love the thrill of sustained focus. Making precise, intricate, and meaningful decisions allows us to shine. Define “shine” as you will. I recall Baudelaire’s poem, “Get Drunk”—“With wine, with poetry, with virtue, as you choose!” Choose where you will shine, and focus furiously. I stopped playing poker, saving my focus for what brings me back to the world. I write.

In my classroom, there are a series of posters proclaiming, “Think like a poet,” “Read like a poet,” “Write like a poet.” They were there when I arrived, and I left them up. The joy of writing (and yes, here’s where this comes back to writing), is the simplest of pleasures—making decisions, and learning as you go. You learn the process when you learn to read. (Or not.) You approach the text as a series of branches. “Tomorrow and tomorrow and tomorrow…” Why the tripled “tomorrow’s”? Why the “and’s”? What comes next? (Creeps…). If you learned to read like THAT, then you have practiced how to write.

And losing? What is the bad beat in writing? Rejection? Better writers than I save rejection letters; there are even books full of them. A book of bad beats. Why? Writer’s block caused by what? A lack of simply sitting and scratching out a few words on unproductive days? Hardly. Turn on the music and write about that. Watch the news and write about that. Talk to your friends and write about them. Walk and write about what you saw. Just write.

The bad beat is the loss of faith, in the belief that your vision is enough. I don’t know what caused it for you, or how to restore your loss. Follow me, let me be the Virgil to your Dante. Imagine that—me, Virgil. You will lose—midway on life’s journey, the right road lost. But there is a way. Follow.

Imaginary Destinations

There are imaginary places that call to us. Illyria. Macondo–though be careful of that one, friend. The Invisible Cities that Polo reports on to the Khan. And Cocaigne.

And so, at the end of the day, when I have spent the precious fortune of my wit and energy, spent it for what? Money? Success? Some recognizable residue that others may tout as virtue? I return to the nearest country I can find–the one adrift in the books on my shelves, or the sea of my imagination. Return traveler, with ships once more laden with waking dreams.

Until such time as I may board a ship, an airplane, or some contrivance to carry me into strange and wonderful streets, I have this. Baudelaire…

L’Invitation Au Voyage

There is a wonderful country, a country of Cocaigne, they say, that I dream of visiting with an old love. A strange country lost in the mists of the North and that might be called the East of the West, the China of Europe, so freely has a warm and capricious fancy been allowed to run riot there, illustrating it patiently and persistently with an artful and delicate vegetation.

A real country of Cocaigne where everything is beautiful, rich, honest and calm; where order is luxury’s mirror; where life is unctuous and sweet to breathe; where disorder, tumult, and the unexpected are shut out; where happiness is wedded to silence; where cooking is poetic, rich, and yet stimulating as well; where everything, dear love, resembles you.

You know that feverish sickness which comes over us in our cold despairs, that nostalgia for countries we have never known, that anguish of curiosity? There is a country that resembles you, where everything is beautiful, rich, honest and calm, where fancy has built an decorated an Occidental China, where life is sweet to breathe, where happiness is wedded to silence. It is there we must live, it is there we must die.

Yes, it is there we must go to breathe, to dream, and to prolong the hours in an infinity of sensations. A musician has written l’Invitation a la valse; who will write l’Invitation au voyage that may be offered to the beloved, to the chosen sister?

Yes, in such an atmosphere it would be good to live—where there are more thoughts in slower hours, where clocks strike happiness with a deeper, a more significant solemnity.

On shining panels or on a dark rich and gilded leathers, discreet paintings repose, as deep, calm and devout as the souls of the painters who depicted them. Sunsets throw their glowing colors on the walls of the dining-room and drawing-room, sifting softly through lovely hangings or intricate high windows with mullioned panes. All the furniture is immense, fantastic, strange, armed with locks and secrets like all civilized souls. Mirrors, metals, fabrics, pottery, and works of the goldsmith’s art play a mute mysterious symphony for the eye, and every corner, every crack, every drawer and curtain’s fold breathes forth a curious perfume, a perfume of Sumatra whispering come back, which is the soul of the abode.

A true country of Cocaigne, I assure you, where everything is rich, shining and clean like a good conscience or well-scoured kitchen pots, like chiseled gold or variegated gems! All the treasures of the world abound there, as in the house of a laborious man who has put the whole world in his debt. A singular country and superior to all others, as art is superior to Nature who is transformed by dream corrected, remodeled and adorned.

Let them seek and seek again, let them endlessly push back the limits of happiness, those horticultural Alchemists! Let them offer prizes of sixty, a hundred florins for the solution of their ambitious problems! As for me, I found found my black tulip, I have found my blue dahlia!

Incomparable flower, rediscovered tulip, allegorical dahlia, it is there, is it not, in that beautiful country, so calm, so full of dream, that you must live, that you must bloom? Would you not be framed within your own analogy, would you see yourself reflected in your own correspondence, as the mystics say?

Dreams! Always dreams! And the more ambitious and delicate the soul, all the more impossible the dreams. Every man possesses his own dose of natural opium, ceaselessly secreted and renewed, and from birth to death how many hours can we reckon of positive pleasure, of successful and decided action? Shall we ever live in, be a part of, that picture my imagination has painted, and that resembles you?

These treasures, these furnishings, this luxury, this order, these perfumes, and these miraculous flowers, they are you! And you are the great rivers too, and the calm canals. And those great ships that they bear along laden with riches and from which rise the sailors’ rhythmic chants, they are my thoughts that sleep or that rise with the swell of your breast. You lead them gently toward the sea which is the Infinite, as you mirror the sky’s depth in the crystalline purity of your soul;—and when, weary with the rolling waters and surfeited with the spoils of the Orient, they return to their port of call, still they are my thoughts coming back, enriched from the Infinite to you.